The marvellous Gnawa Festival in Essaouria celebrated its 20th birthday this year, and I celebrated my 11th visit to the festival, armed with drawing books, brush pens and black pens, friends including writers Andy Morgan and Jane Cornwell, and musician, DJ and all-round magician of London-Moroccan culture, Moulay Youssef Knight. Here’s some of that image hoard.
Fordefestivalen plays host to some remarkable music from all over the world, and from across Scandinavia, the concerts unfolding in venues all over the little town in the midst of the fjords and mighty mountains. On Saturday, my report from the festival went live on The Arts Desk. This is an image mosaic from the latest edition, in early July 2017, and here’s a taster of the Arts Desk report. Click the link to read it all.
“Førdefestivalen is a unique musical gathering in a small Norwegian town on Norway’s west coast, deep in fjord country, the landscape painter Nikolai Astrup’s habitat. Skydiving from the nearby Hafstadfjellet mountain (alas, sometimes fatally) is a popular pastime. Jumpers launch themselves from the television mast at the mountain’s peak, where Victor Tavares, a Cape Verdean nonagenarian accordion player, and his group Bitori made music one bright, cold Saturday morning in the Nordic midsummer…”
I’ve a new review up on the mighty Arts Desk today, Sam Lee with a quartet of amazing musicians from Scotland and Norway, playing under the name Wind Eye.
It was the last of the Songlines Encounters for this year. Sadly, as the closing words and music of Linden Tree resounded around the hall, an Islamist death cult was exacting its own repulsive encounters just south of the river in the folklore-rich, song-rich, history-soaked zones of revelry and gathering that are London Bridge and Borough.
One love for the true citizens of London, one hate for the scum guard of a rotten death cult.
Here’s a link to the review: